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An Evening with Josh Ritter
Event Start Date : Mar 17, 2020
Event End Date : Mar 17, 2020
An Evening with Josh Ritter: “A Book of Gold Thrown Open” Tour About this Event Hailed as one of America's 100 greatest living songwriters, Ritter performs some of his quieter, more narrative songs on this intimate solo tour, in addition to new music. with Live Nation Sixth & I Event Policies Seating is general admission, first come, first served. Please note there are some obstructed view seats in the balcony of our sanctuary. All ticket sales are final and non-refundable. There are no refunds unless an event is canceled. If you are unable to use your tickets, you may transfer them to another person. For accessible entry and accessible seating requests, call 202.408.3100. For more on ticketing, venue policies, and security procedures Date And Time Tue, March 17, 2020, 8:00 PM EDT Doors at 7:00 PM Location Sixth & I 600 I St NW Washington, DC 20001 United States Refund Policy No Refunds

Walk Off The Earth
Event Start Date : Apr 05, 2020
Event End Date : Apr 05, 2020
Walk Off The Earth About this Event Walk Off The Earth is an unconventional, multi-talented five-piece musical phenomenon that is currently taking the world by storm. Based in Burlington, Ontario, their brilliant five-people-playing-one-guitar interpretation of Gotye’s “Somebody That I Used To Know” exploded on YouTube garnering well over 35 million views in less than 2 weeks. Their latest hit, “Fire In My Soul” was certified gold in Canada and was released via Universal Music Canada. The band, currently on tour in the U.S., most recently did a 30-day world tour making stops in North America, Europe and Australia. They released a self-produced short film titled "Taekwondo" and accompanying EP titled Taekwondo: The Soundtrack. In their lighthearted nature, the band tells the story of a young romantic in pursuit of the girl of his dreams while learning the skills of self-defense in preparation for a showdown with ninjas. Both the short film and EP were produced by Walk Off The Earth. Performers WALK OFF THE EARTH Date And Time Sun, April 5, 2020, 7:30 PM EDT Doors at 6:00 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

Little Dragon
Event Start Date : Apr 15, 2020
Event End Date : Apr 15, 2020
Little Dragon About this Event “Little Dragon have a distinct and immediately alluring style.” - PITCHFORK “Masterful dance band.” - THE GUARDIAN “Instantly loveable.” - CRACK Season High, 9/10 Album of the Month - MIXMAG Swedish four-piece Little Dragon - spearheaded by dynamic vocalist Yukimi Nagano, multi-instrumentalists Håkan Wirenstrand & Fredrik Wallin on keyboards & bass respectively, with drums & percussion by Erik Bodin - are one of the world’s most beloved bands. Earlier this year they released Lover Chanting EP, a 3 track EP self- produced by the band in Gothenburg and they are now due to release their brand new single ‘Tongue Kissing’ as well as embark on their headline European tour playing London’s Brixton O2 Academy (5000 cap) with stops in Paris, Amsterdam, Brussels, Stockholm and more followed by 22 dates across North America. With five unique yet distinct studio albums ranging from their 2007 self-titled debut, the sophomore avant-garde electronic pop of Machine Dreams to must-have breakthrough Ritual Union, then GRAMMY-nominated Nabuma Rubberband followed by 2017’s critically acclaimed stunner Season High, Little Dragon have pioneered their own multi-genre space by writing timeless, impeccably produced songs & delivering knockout live shows. Their catalogue bursts with an impressive list of collaborations. Yukimi has lent her trademark vocals to Gorillaz, Flume, SBTRKT, Kaytranada, Christian Rich, De La Soul, DJ Shadow, Tinashe, Mac Miller, Big Boi, Faith Evans, and ODESZA. The band has remixed Rhye, Childish Gambino & more. Additionally, artists such as NAO, Lianne La Havas, Nick Mulvey and Rosie Lowe all have covered Little Dragon. “Tried”, their recent collaboration with BADBADNOTGOOD received great support from the likes of Pitchfork, The FADER, NPR Annie Mac and more. Single ‘Lover Chanting’ has over 4.4M combined streams and received strong press support from 90+ sites including Pitchfork, The FADER, Rolling Stone, FACT, DIY, The Line of Best Fit, CLASH, Stereogum. It was Annie Mac’s ‘First Play’ on BBC Radio 1 as well as her ‘Tune of the Week’, reached #1 on Radio 1 Hype Chart, #4 on KCRW’s Morning Becomes Eclectic and #1 on KCRW Music Top 30. The official video directed by Jack Whiteley has over 3.8M views and received pick up from 60+ sites including The FADER, DIY, It's Nice That, Billboard, High Snobiety and more. Editorial playlist support at Spotify including New Music Friday, Chill Vibes, Summer Party, New Indie Mix, Indie Radar, Indie Arrivals, Indie Highlights, New Indie & Alt and popular as well asthird party tastemaker playlists like Martin Garrix, Annie Mac & Tycho, have lead Little Dragon in excess of 1.7M monthly listeners & 367M streams at Spotify. Little Dragon have also featured in Apple Music’s Best of the Week, The A-List: Electronic, Today’s CHILL, Beats of the Week, Untitled & Indie Hot Tracks. Continuous support from publications such as Pitchfork, Resident Advisor, CRACK, FADER, i-D, Dazed, Interview, NME, Stereogum, NPR, Mixmag, Line Of Best Fit, WIRED, Esquire, Clash, The 405, Billboard, Stoney Roads, The Guardian, The Times, The New York Times, Rolling Stone, and Mixmag have firmly established Little Dragon in global pop culture. Television performances include Jimmy Kimmel Live, Late Show with David Letterman, and The Tonight Show Starring Jimmy Fallon in the USA plus three appearances on UK’s Later with Jools Holland & ZDF Aspekte in Germany. Championed by MTV, the band has amassed over 98K subscribers and over 28M views on YouTube. Syncs heard on Grey's Anatomy, 90210, Gossip Girl, Revenge, The Vampire Diaries, Being Mary Jane, and many more. Played across BBC Radio 1, BBC 1Xtra, BBC 6 Music, Capital Xtra, Beats 1, Reprezent, Rinse FM and spun by gatekeepers KCRW, KEXP, Sirius XMU, and Triple J, their music has been praised by the likes of Zane Lowe, Annie Mac, Benji B, MistaJam, Jason Bentley, Jamz Supernova, Lauren Laverne, Gilles Peterson, Huws Stephens, Phil Taggart and Danny Howard. In 2018, Little Dragon played BBC’s Biggest Weekend festival and headlined Annie Mac’s AMP Collected. Coachella, Glastonbury, Lollapalooza, Bestival, Sonar, All Points East, Dimensions Festival, Parklife, Lovebox, Love Saves The Day, Melt and Dour are just a few of the festivals played in their decade-plus career. Earlier this year, Little Dragon co-headlined Los Angeles’ Hollywood Bowl and Berkeley’s Greek Theatre with Flying Lotus supported by BADBADNOTGOOD and sold out two nights at London’s Roundhouse. In 2018 they sold out their entire North American headline tour including two nights at Elsewhere in Brooklyn, two nights at Rock & Roll Hotel in DC and an arena show supporting Gorillaz in Boston. Little Dragon returned to London in November to headline Printworks and rounded out the year in Los Angeles with Tyler the Creator’s Camp Flog Gnaw Carnival at Dodger Stadium. Performers LITTLE DRAGON Date And Time Wed, April 15, 2020, 7:00 PM EDT Doors at 7:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

Silversun Pickups
Event Start Date : Mar 08, 2020
Event End Date : Mar 08, 2020
Silversun Pickups About this Event Brian Aubert (guitar, vocals) * Nikki Monninger (bass) Joe Lester (keyboards) * Christopher Guanlao (drums) Silversun Pickups have always considered their sonic density a source of pride: The Los Angeles band’s four studio full-lengths—including their 2006 gold-selling debut, Carnavas, which spawned the hits “Lazy Eye” and “Well Thought Out Twinkles”—reveal additional sonic gifts with each subsequent spin. Their fifth album, Widow’s Weeds, also caters to an adventurous, patient group of listeners. Strident acoustic strumming tussles with raging electric riffs, as urgent, precise beats and moody electronic pulses percolate underneath. The band members—which, in addition to Aubert, include bassist Nikki Monninger, drummer Christopher Guanlao and keyboardist Joe Lester—were also in agreement with the album’s starting point (the urgent synth-rocker “Neon Wound”) and closer (the aggressive, throttling “We Are Chameleons”). The band admitted that everything in between, including how the rest of Widow’s Weeds was sequenced and how the album unfolded, often surprised the band. “We didn’t know exactly which emotional level the lyrics were going to start at,” Aubert says. “I was like, ‘Are they going to be angry, with these crazy times?’ Everything seems so polarized and bizarre and scary. All of these things affect you. And then as they were coming out, it was like, ‘No, they sound like they’re kind of mourning.’ I couldn’t quite put them all together.” To make sense of these ideas, Silversun Pickups enlisted a long-time friend: producer Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth). Incredibly enough, this was the first time the band had worked with Vig, even though the idea of collaborating had been floated for years. The timing didn’t feel right until now, Aubert says. “With the ideas that were popping around in my head, it felt like, ‘God, this would be awesome; I think it’s time. If Butch is interested in doing this at all, let’s just call him.'” Vig and mixer Billy Bush helped Silversun Pickups craft a confident, extroverted album in which every instrument is clearly audible in the mix. Pulsing, Cure-like keyboards hold their own against slashing riffs on “Neon Wound”; antique-sounding violin and cello enhance fragile acoustic strumming on “Straw Man”; and the spring-loaded, glammy “It Doesn’t Matter Why” boasts pogoing beats and needling pizzicato plucks. The album’s more restrained moments also maintain this crispness. “Simpatico” is “the closest we’ll get to a James Bond song,” says Aubert, who immersed himself in movie scores as the album was coalescing. Widow’s Weeds strikes a perfect balance between provocative noise and distortion, and lush, introspective pop tranquility. The band members also decided not to go overboard layering on instruments and sounds, which contributed to the album’s clearer approach. “We made a conscious effort to rein in the electronic stuff a little bit, and have more pianos and organs,” Lester says. “There’s still synthy stuff on there for sure. But we have strings again, which we hadn’t done for a couple of records. And there’s a lot less sequenced electronics. It was like, ‘Let’s strip the palette a little bit, and see what happens.’ And that goes back to the directness of things.” Vig’s versatility and songwriting background helped the band shape other songs—including and especially “Don’t Know Yet,” on which glitchy, taut electronic textures segue into explosive choruses drive by brusque drums and noisy guitars. “It has moments of intimacy, but then it really comes alive and big-sounding,” Guanlao says of the song. “That’s all Butch. We would have probably gone a totally different direction if it wasn’t for him hearing that this once-intimate, mellow song can be really boastful and rocking.” In the end, recording with Vig surpassed the band members’ already-high expectations. “He really listens to each band member, and he puts a great value on each individual, and what they can add to the music,” Monninger says. “It was very collaborative with him. He’s such an easygoing person, and he put everybody at ease.” That camaraderie translated into a studio environment that involved intense and serious hard work unfolding in a jovial, even lighthearted, manner. “We had a really fun time recording this album,” Guanlao says. “He really did get the best out of us. We didn’t want it to end.” Despite the halcyon studio time, the band members were wrestling with challenges in their personal lives. The album had to be done in two separate blocks of time, since Vig had Garbage tour plans already on the calendar, which left Silversun Pickups with a break between sessions. During that gap in time, Lester’s father passed away. Aubert, meanwhile, found himself in an extremely dark place, for reasons he couldn’t immediately explain. “We started making this album about mourning, and it’s like, ‘What are you mourning? Are you really mourning politics and stuff like that? Or what is happening?’ I didn’t realize that I was finding myself in this space where I completely tried to take on everything myself. I couldn’t ask for help; I couldn’t let anybody in. That led me to start drinking in a different way, that I never did before.” As a result, Aubert—who was already feeling “emotionally closed off,” as he puts it—fell into a deep depression. “I didn’t know how to get out of it,” Aubert says. “Finally, I was just like, something big has to happen.” His solution was getting treatment and getting sober during the gap between recording sessions—a decision that immediately improved his mental health and creative outlook. Unsurprisingly, Aubert also had a much different perspective on his Widow’s Weeds lyrics post-treatment, and understood more what messages he was trying to convey with the album. “The record does have a mourning vibe, but it’s not sad,” he says. “It’s change. It’s growing up, and moving on and letting go of things. And it’s okay to be sad about those things, and mourn them. It’s actually healthy to do so, and take the time to do it. At the end of the day, it’s going to be much better and much more fulfilling when you get through it.” “When I got sober, and took a little time to myself to move as a human, we came back at the record again,” Aubert says. “Then it was like, now we’re back into the record, and writing again. It was wild. Things are really changing, and I’m starting to emotionally connect to things, and starting to take care of myself. I’m starting to ask for help.” Aubert’s bandmates also saw an immediate change in him as they reconvened to finish Widow’s Weeds. Guanlao noticed that the vocalist was opening up to him and the rest of the band more, and allowing himself to be more vulnerable, while Monninger observed increased clarity. “I’m really proud of him for coming through all this. He focused so much on the album and put so much of his heart into it—as we all did, but especially coming out of all that, he needed something to really focus on.” Lester also saw big, positive differences in his bandmate. “It was like, ‘okay, this has actually been really good; he’s gotten stuff that has probably been bothering him for a long time sorted out.’” In a nod to Aubert’s healthier mindset—and in a big change from past working environments—the members of Silversun Pickups welcomed friends and family into the studio as they were recording. “This was the first album where we were open,” Aubert says. “Not just with Butch, but with people around us. We played stuff for people. We never used to before. We’d play a little mixing and things like that. We were too shy.” Creating this kind of social, nurturing atmosphere added levity and accountability, and kept everyone in the band grounded. “Doing this in front of people is so much more enlightening, and really helps you focus on things,” Aubert says. “We were exposed. I see how that can be scary to people, but for us we really thrived on that.” Widow’s Weeds ends up being about rebirth and renewal, facing darker elements of the soul (or society) head-on, and choosing to either engage—or leave them behind. This shift toward blunt candor wasn’t lost on Lester. “I feel Brian’s lyrics have gotten more direct over the last couple of records. He’s much more open and less coy about what he’s singing about. There’s less trying to put Vaseline on the lens.” Over the years, Silversun Pickups have racked up 210 million worldwide streams and 10 Top 20 hits on Billboard‘s Alternative Songs chart, led by 2009’s ferocious chart-topper “Panic Switch.” Nearly 20 years after the band formed, it’s not lost on Monninger that they’re one of the few groups they’ve grown up with who have sustained a career. “I don’t know many bands that have lasted that long,” she says. “But we started as friends first, and we care about each other—you know, this is our second family. We really believe in what we’re doing. We’re going to take it as far as we can.” For Aubert, moving forward involves staying connected to his own self (and remembering to prioritize self-care) and being attuned to creative impulses when they arise. If that means going outside of his comfort zone, so be it. “This album feels the most naked out of all of them,” Aubert says. “That’s scary at first. But that goes into my whole headspace. That goes into how things went down. It was like, ‘Hey man, you were so unaware of the things you needed, and so closed off. Just do it. Stop hiding. It was crushing you. Don’t be afraid.’ Date And Time Sun, March 8, 2020, 7:00 PM EDT Doors at 7:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

An Evening with They Might Be Giants
Event Start Date : Apr 08, 2020
Event End Date : Apr 08, 2020
An Evening with They Might Be Giants About this Event THEY MIGHT BE GIANTS PRESENT 30th ANNIVERSARY FLOOD SHOW In honor of the album that made them an international act, They Might Be Giants is celebrating Flood's 30th anniversary in 2020 by performing the album, in its entirety, on stages in select cities across the US. The show is "an evening with" and TMBG will play two full sets with their barnstorming live band featuring the show-stopping Curt Ramm on trumpet. How will it be presented? In sequence, in reverse sequence, alphabetical, or mixed into additional repertoire? It could be different on any given night. But, in addition to Flood, the song selection in the “evening with” show will span the band's entire career from early favorites to brand new tracks, as well as the live improvisations that have become a highlight of TMBG shows. ABOUT FLOOD Before Alternative Rock, when rock dinosaurs still roamed the earth, They Might Be Giants crawled out of the primordial performance art scene of the Lower East Side and on to the college rock scene with a series of breakthrough songs and best-selling albums. Vaulted into the national scene by a series of highly creative videos, the band ultimately garnered the attention of the powerhouse major-label Elektra Entertainment. Collaborating with British hit-makers Clive Langer and Alan Winstanley, as well as emerging indie engineers Roger Moutenot and Patrick Dillett, the band embarked on an album that would leave their lo-fi roots behind in exchange for a sonic adventure to be called Flood. Embraced by critics and audiences alike, the 19-song album would go on to go platinum and garner a clutch of timeless favorites for the band including "Birdhouse in Your Soul," "Your Racist Friend," "Istanbul (Not Constantinople)," "Particle Man," "Dead," and many others. SOME MORE GOOD NEWS IN BAD TIMES FROM THEY MIGHT BE GIANTS In August, TMBG offered up a special limited edition benefit t-shirt with 100% of profits going to RAICES, a Texas legal team aiding separated families and detained minors seeking asylum in the US. Over the course of a wild month, the TMBG fan community raised $60,000. In the last days of the fundraiser, John Flansburgh accidentally auto-filled an email address meant for a Jeff on the band’s road crew with Jeff Lawson, the founder of Twilio, who had hosted the band at a company event a few years back. Jeff mentioned he was encouraged by the band’s effort to raise money to end this harrowing episode and he offered to match any funds raised by the band. This, in turn, led to a whole new wave of interest on social media, ultimately bringing the total money raised to $200,000. (Yes, the band raised $200,000 for a very good cause by selling t-shirts!) Performers AN EVENING WITH THEY MIGHT BE GIANTS Date And Time Wed, April 8, 2020, 8:00 PM EDT Doors at 6:30 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

Matoma + Two Friends
Event Start Date : Jan 30, 2020
Event End Date : Jan 30, 2020
Club GLOW Presents Matoma + Two Friends Camp Superdope! Doors: 9 PM | No Dress Code | Ages 18+ VIP/Bottle Service: | 202-503-2331 1 dollar of every ticket sold on this tour will be donated to F Cancer and help fund their programs around prevention, early detection and psychosocial support. Date And Time Thu, Jan 30, 2020, 9:00 PM EST Location Echostage 2135 Queens Chapel Road Northeast Washington, DC 20018 United States

2020 National Cherry Blossom Festival Pink Tie Party
Event Start Date : Mar 20, 2020
Event End Date : Mar 20, 2020
Celebrate the blossoms in style and kick off spring in Washington with delicious food and cocktails, live music, a silent auction, and more! About this Event It's all happening at the Pink Tie Party, where you can celebrate the blossoms in style and experience an evening filled with delicious bites and cocktails from local restaurants, a silent auction, engaging experiences, live performances, music and dancing. Enjoy delicious fare from the Ronald Reagan Building’s Executive Chef Xavier Deshayes and fifteen area restaurants (participants to be revealed at a later date). Don't miss out on what Modern Luxury (DC Magazine) calls “the glam soiree [that] marks the end of winter and serves as a see-and-be-seen fundraiser for the National Cherry Blossom Festival.” PROCEEDS BENEFIT NATIONAL CHERRY BLOSSOM FESTIVAL, INC. Contributions to the National Cherry Blossom Festival are tax deductible to the fullest extent permitted by law. HOSPITALITY PACKAGES AVAILABLE Make a night at the Pink Tie Party extra special for your clients, employees, or other guests by purchasing a Hospitality Package. $5,000 Hospitality Package Includes the following: Tickets for ten guests Reserved table seating for group with organization/logo sign Complimentary parking for four vehicles Organization listing in event program and on event signage (three placements) Organization listing with link on event page of Festival website $2,500 Hospitality Package Includes the following: Tickets for ten guests Complimentary parking for one vehicle Organization listing in event program Organization listing with link on event page of Festival website Contact Erica Conover at for availability. FAQs What food and beverage will be present at Pink Tie Party? Fifteen restaurants from DC and the region will present savory dishes and sweet desserts inspired by the season: fresh flavors, floral or pink adorned, etc. Additionally, delicious fare from the Ronald Reagan Building’s Executive Chef Xavier Deshayes will ensure no one leaves hungry. What should I wear? The all-important question! We describe the suggested attire as “Pink Tie Cocktail”, but think The Washington Post Reliable Source put it best in 2018 when they described the attendees as donning, “splashy fashions, with nearly everyone favoring hues inspired by the highly anticipated blooms.” Click here to read the full article. Is there a minimum age? All attendees must be at least 21 years of age with valid ID. Will tickets be sold at the door? Tickets will not be sold at the door. There are a limited number of tickets available day-of the event. It is strongly recommended that you buy tickets in advance as the event typically sells out. I’ve bought a ticket and I can no longer attend. Can I get a refund? Can I give my ticket to someone else? Tickets are non-refundable and non-transferable. I’m with a restaurant and want to be present at the event. Is that possible? All restaurant involvement inquiries may be sent to Nicole Wright at How can I get involved with the Pink Tie Party? We love volunteers for the Pink Tie Party and all other National Cherry Blossom Festival events. If you are interested in helping out please email our volunteer manager Tasha Stiger at Date And Time Fri, March 20, 2020 7:00 PM – 11:00 PM EDT Location Ronald Reagan Building and International Trade Center 1300 Pennsylvania Avenue Northwest Washington, DC 20004 United States Refund Policy No Refunds

Dweezil Zappa Hot Rats Live! Plus Other Hot Stuff 1969 Tour
Event Start Date : Mar 13, 2020
Event End Date : Mar 13, 2020
Dweezil Zappa Hot Rats Live! Plus Other Hot Stuff 1969 Tour at The Hamilton Live About this Event DWEEZIL ZAPPA HOT RATS LIVE! TICKETS ON SALE NOW VIP Soundcheck Experience (GA) - $89.75 - Includes early entry to the venue, access to soundcheck, a Gold Seated GA ticket, and a tour poster. Seated GA Tickets - $69.75 Bar Area GA Tickets - $39.75 For any wheelchair or ADA needs, please contact the Box Office in advance of the performance at (202)-769-0122. All tickets are general admission (GA). Seats cannot be reserved in advance. We recommend that guests arrive early to secure their favorite seats within their section. Hot Rats Live! World Tour Plus Other Hot Stuff 1969 Dweezil Zappa and his “rocking teenage combo” will be performing his father’s entire Hot Rats album in sequence live on stage as part of his upcoming 2019 tour. The album played a pivotal role in establishing Frank Zappa as a composer and guitarist and was also dedicated to Dweezil upon its release in 1969. The 50 year old classic album will be surrounded by an assortment of other psychedelic, avant-garde odd metered toe tappers well known to Zappa aficionados. Don’t miss out on Dweezil Zappa’s DNA audio stage recreation of Hot Rats and other “Hot Stuff”! Date And Time Fri, March 13, 2020, 8:00 PM EDT Doors at 6:30 PM Location The Hamilton Live 600 14th St NW Washington, DC 20005 United States Refund Policy No Refunds

Blood Orange
Event Start Date : Mar 18, 2020
Event End Date : Mar 18, 2020
Producer, multi-instrumentalist, composer, director and vocalist, London born polymath Devonté Hynes is among the most influential voices in music today. Raised in England by Guyanese and Sierra Leonean immigrant parents, Hynes started out as a teenage punk in the UK band Test Icicles before releasing two orchestral acoustic pop records as Lightspeed Champion. In 2011, he released Coastal Grooves, the first so far of five solo albums under the moniker Blood Orange. His 2016 album, Freetown Sound, was released to critical acclaim, and saw Hynes defined as one of the foremost musical voices of his time, receiving comparisons to the likes of Kendrick Lamar and D’Angelo for his own searing and soothing personal document of life as a black man in America. His 2018 album, Negro Swan, was released to equally rapturous response, exploring elements of black depression and identity. His most recent release, the 2019 mixtape Angel's Pulse, described by Hynes as an epilogue to Negro Swan, further explores and builds upon those themes. He has collaborated with Solange Knowles, fka twigs, A$AP Rocky, Puff Daddy, Mariah Carey Janet Mock, and many more, and was recently one of four artists invited to the Kennedy Center to perform alongside Philip Glass. In addition to his production work, he has sold out headlining tours around the world, directed and edited 7 Blood Orange music videos as well as one for Beck's 2019 "Uneventful Days", and composed the scores for the films “Palo Alto,” directed by Gia Coppola, and "Queen & Slim", directed by Melina Matsoukas. Date And Time Wed, March 18, 2020, 8:00 PM EDT Doors at 6:30 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

Welcome to Night Vale
Event Start Date : Apr 02, 2020
Event End Date : Apr 02, 2020
Welcome to Night Vale About this Event WELCOME TO NIGHT VALE is a twice-monthly podcast in the style of community updates for the small desert town of Night Vale, featuring local weather, news, announcements from the Sheriff’s Secret Police, mysterious lights in the night sky, dark hooded figures with unknowable powers, and cultural events. Turn on your radio and hide. Written by Joseph Fink and Jeffrey Cranor. Narrated by Cecil Baldwin. Music by Disparition. Logo by Rob Wilson. “A geeky cultural gem” – CBC “Incredible, spooky, funny, and monumentally charming” – BoingBoing Performers WELCOME TO NIGHT VALE Dessa Date And Time Thu, April 2, 2020, 8:00 PM EDT Doors at 6:30 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

Kurt Vile with Cate Le Bon
Event Start Date : Apr 24, 2020
Event End Date : Apr 24, 2020
Kurt Vile with Cate Le Bon About this Event Kurt and Cate together and solo, with Stella Mozgawa and Stephen Black. Kurt Vile has partnered with PLUS1 so that $1 from every ticket goes to support HeadCount working to promote civic engagement, and inform and register young voters. Performers KURT VILE WITH CATE LE BON Date And Time Fri, April 24, 2020, 8:00 PM EDT Doors at 6:30 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

King Krule
Event Start Date : Apr 22, 2020
Event End Date : Apr 22, 2020
King Krule About this Event Performers KING KRULE Date And Time Wed, April 22, 2020, 7:00 PM EDT Doors at 7:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

Allen Stone
Event Start Date : Feb 25, 2020
Event End Date : Feb 25, 2020
Allen Stone appearing at 9:30 Club in Washington, DC. Date And Time Tue, February 25, 2020, 7:00 PM EST Doors at 7:00 PM Add to Calendar Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

Bat for Lashes
Event Start Date : Feb 18, 2020
Event End Date : Feb 18, 2020
Bat for Lashes About this Event In an intimate set, British singer-songwriter, multi-instrumentalist, and visual artist Natasha Khan performs previous Bat For Lashes material and songs from her new album, Lost Girls. Sixth & I Event Policies • Seating is general admission, first come, first served. • Please note there are some obstructed view seats in the balcony of our sanctuary. • All ticket sales are final and non-refundable. There are no refunds unless an event is canceled. If you are unable to use your tickets, you may transfer them to another person. • For accessible entry and accessible seating requests, call 202.408.3100. • To inquire about group sales for 10 or more, call 202.408.3100. Due to limited quantity, group sale requests are accommodated on a case-by-case basis. For more on ticketing, venue policies, and security procedures, click here. Date And Time Tue, February 18, 2020, 8:00 PM EST Doors at 7:00 PM Location Sixth & I 600 I St NW Washington, DC 20001 United States

Annual Sadie T.M. Alexander Conference for Economics and Related Fields
Event Start Date : Feb 20, 2020
Event End Date : Feb 22, 2020
Back bigger than ever, SACE2020 will include curated programming for advancing Black women in careers in economics and related fields. About this Event Vision 20/20: Restore, Revive, Reclaim The 2020 election year is here and there’s no time like the present to restore, revive and reclaim the new decade! In doing so, we are thrilled and excited to share that this year’s conference will be grand. In partnership with Urban Institute, the Sadie Collective’s organizing team’s dynamic conference will include esteemed Black women across the quantitative sciences. Please check out the finalized schedule here and scholarships to attend here. A note about our registration process - our process is a bit lengthy to ensure that we can curate the best conference experience for you and for our reporting purposes to generous donors who make this once in a lifetime conference experience possible. Please note the following about how your data will be used as your privacy is very important to us at the Sadie Collective. Because of this, we promise the following: We will use your information to connect you with mentors and opportunities in the field if you give us your permission. We will use your information to create programs that cater to your needs as a member of the Collective community. We will not sell your data. You can choose to remove your information at any time. Just contact us at Your data will be anonymized if used for any type of reporting. Date And Time Thu, Feb 20, 2020, 9:00 AM – Sat, Feb 22, 2020, 9:30 PM EST Location Urban Institute 500 L'Enfant Plaza Southwest Washington, DC 20024 United States

Amanda Shires Atmosphereless Tour
Event Start Date : Feb 16, 2020
Event End Date : Feb 16, 2020
Amanda Shires Atmosphereless Tour with L.A. Edwards About this Event A self-described singing, songwriting, fiddle-playing Texan, Shires is renowned for her acclaimed solo albums and her new all-female country supergroup, The Highwomen. with Live Nation Sixth & I Event Policies • Seating is general admission, first come, first served. • Please note there are some obstructed view seats in the balcony of our sanctuary. • All ticket sales are final and non-refundable. There are no refunds unless an event is canceled. If you are unable to use your tickets, you may transfer them to another person. • For accessible entry and accessible seating requests, call 202.408.3100. • To inquire about group sales for 10 or more, call 202.408.3100. Due to limited quantity, group sale requests are accommodated on a case-by-case basis. Date And Time Sun, February 16, 2020, 7:30 PM EST Doors at 6:30 PM Location Sixth & I 600 I St NW Washington, DC 20001 United States

Wolf Parade
Event Start Date : Feb 22, 2020
Event End Date : Feb 22, 2020
Wolf Parade appearing at 9:30 Club in Washington, D.C. Date And Time Sat, February 22, 2020, 6:00 PM EST Doors at 6:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

Drive-By Truckers
Event Start Date : Feb 28, 2020
Event End Date : Feb 28, 2020
An overview of our journey from post-election blues, into the heart of Memphis and onward into 2020 with a new album. Drive-By Truckers is kicking off the new election year with The Unraveling, our first new album in 3 1/2 years (the longest space between new DBT albums ever). Those years were among the most tumultuous our country has ever seen and the duality between the generally positive state of affairs within our band while watching so many things we care about being decimated and destroyed all around us informed the writing of this album to the core. While a quick glance might imply that we’re picking up where 2016’s American Band album left off, the differences are as telling as the similarities. If the last one was a warning shot hinting at a coming storm, this one was written in the wreckage and aftermath. I’ve always said that all of our records are political but I’ve also said that ‘politics IS personal’. With that in mind, this album is especially personal. Our 2018 single “The Perilous Night” acted as a sort of coda to the polemic of the last album and the original plan was to zigzag in a different direction, but alas the past few years have seen an uptick in school shootings, church shootings, racial violence, suicides and overdoses, border violence, and an assault on so many things that we all hold dear. They’re literally putting children in cages. Writing silly love songs just seemed the height of privilege. My partner Mike Cooley and I both worked through deep pools of writer’s block. How do you put these day to day things we’re all living through into the form of a song that we (much less anybody else) would ever want to listen to? How do you write about the daily absurdities when you can’t even wrap your head around them in the first place? I think our response was to focus at the core emotional level. More heart and less cerebral perhaps. Eventually the songs did come, some in mysterious ways. A day-long layover at an exit outside of Gillette, Wyoming resulted in “21st Century USA”, the song that for me opened up the floodgates, enabling me to write my portion of the album. I wrote “Babies in Cages” in the living room of my wife’s parent’s house and quickly demoed it on my phone. A portion of that original recording acts as the introduction to the version on the album. Cooley wrote “Grievance Merchants” about the proliferation of white supremacist violence we’ve seen in recent years. Our family’s babysitter’s best friend was murdered on a train in beautiful progressive Portland, Oregon in one such incident. The political is indeed very personal. “Armageddon’s Back in Town” takes a whirlwind joyride through the daily whiplash of events we are collectively dealing with, while “Slow Ride Argument” offers an unorthodox but hopefully effective method of the prevailing of cooler heads. Perhaps it should come with a disclaimer though. Meanwhile “Awaiting Resurrection” dives headfirst into the void of despair and painful realities these times are tolling. It’s a song unlike any in our band’s history, yet somehow quintessentially DBT to the core. A call to deal, unblinkingly, with the horrors surrounding us all, but to also survive, with perhaps even a hint of optimism. “In the end we’re just standing, watching greatness fade into darkness / Awaiting Resurrection” If the writing was a long and brutal process, the recording was a joyous celebration. Another of our band’s many dualities, perhaps. We convened for a week in Memphis, Tennessee at the historic and wonderful Sam Phillips Recording Service. We tracked, mostly live in the studio, aided by long-time producer David Barbe and famed engineer Matt Ross-Spang. Initially recording 18 songs in 85 hours of near around the clock sessions, the band essentially spent the whole week in an artistic marathon, housing ourselves at the Memphis Music Mansion (AirBnB), surrounded by historic photos and a mid-century vibe that seemed to even seep into our dreams each night. (My bedroom was, fittingly, The Big Star Room, named after the seminal Memphis power pop band that I have always held as an all-time favorite). Recording in Memphis has been a life-long dream for this band. Both the city, with its dark social history and amazing musical heritage, and the studio which is a time machine set to its early 1960’s origins and inhabited by the spirit of its genus founder, affected and inspired the creation of this album in ways that go far beyond the tangible and technical. Sam Phillips left my hometown of Florence, Alabama and moved to Memphis, working in radio before opening the legendary Sun Studios (Memphis Recording Service) where he essentially discovered Rock and Roll, recording the first records of Howlin’ Wolf, Ike Turner, Johnny Cash, Carl Perkins, Jerry Lee Lewis, Charlie Rich, and of course Elvis Presley. When he sold Sun, he built his dream lair, the, then state of the art Sam Phillips Recording Service which opened in 1962. If Phillips’ love of ‘slap-back’ echo had given those early Sun records their legendary sound, his new studio incorporated three different echo chambers into its design, giving the studio a very unique and wonderful sound that we incorporated into this album. I can’t impart enough the impact that recording there had on this album. We were all beyond inspired by the surroundings and the sounds coming out of the speakers from every playback or the sound of the echo chambers reverberating down the halls. Every day we got to hang out with Sam’s son Jerry who took us up to Mr. Phillips’ old office on the third floor. Unlocked in time, it was still exactly as it had been the last day Sam spent there. His jackets still hanging in the closet and the bar still stocked with his favorite whiskey. There, with Jerry, we toasted our recordings and the spirits that still inhabited that sacred space. In honor of finally getting to record in Memphis, I wrote “Rosemary with a Bible and a Gun”, a sort of stream of conscious love song to that dark and mythical city on the banks of the Mississippi. Although the song isn’t a literal story of such, it was certainly informed by the brutal times Cooley and I had in 1991 when we followed Sam Phillips’ example and moved from Florence to Memphis in search of dreams that for us were still to be over a decade in coming. I heard the song in my head as a sort of Bobbie Gentry inspired southern gothic and we further explored that by adding gorgeous strings by Kyleen and Patti King (arranged by Kyleen). It seemed the perfect way to kick off this album. Our sessions were rounded out by a guest appearance from Cody Dickinson (North Mississippi All Stars) who came in and played an electric washboard through an Echoplex and wah-pedal into an amp for “Babies in Cages”. The song, recorded completely live, in one magical take, perfectly captured the mood and tone of the week we spent there. (We even kept the scratch vocal since it had so much live bleed from the take). The following day, Mick Jagger came by, but alas we weren’t able to record with him, although his presence certainly added to the already surreal vibe of the week. A few months later we reconvened in Athens, Georgia at Barbe’s Chase Park Transduction studios where Matt and David mixed the album on Barbe’s vintage 1975 Neve console. As a band that got its start essentially making albums as field recordings on mobile gear, it is indeed a treat to get to make our albums on 2” 16 tracks tape in historic studios and on beautiful vintage gear. We finished the process by having the legendary Greg Calbi master it all at Sterling Sound in Edgewater, New Jersey. In the end, we whittled the album down to the nine songs included, saving several key songs for a foundation to the next one that will hopefully occur sooner than later. Lilla Hood designed the packaging utilizing a stunning photo by Erik Golts of two young lads watching a sunset at the Oregon coast, lettering by famed graphic artist Aaron Draplin, and once again beautiful artwork from our long time collaborator Wes Freed. We plan on touring extensively throughout the next year taking these songs around the world. We hope to see you there. Date And Time Fri, February 28, 2020, 8:00 PM EST Doors at 8:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States

DC Chocolate, Wine & Whiskey Festival
Event Start Date : Feb 08, 2020
Event End Date : Feb 08, 2020
New Bigger Location - Dock 5/Union Market! DC Chocolate, Wine & Whiskey Festival UNLIMITED TASTING OF CHOCOLATES/WINE/CRAFT SPIRITS INCLUSIVE Last year we Sold Out Months in Advance... February 8th, 2020 (2 Sessions - Saturday) NEW Location - Dock 5 Event Space at Union Market - DC's Most Exciting Event Venue 21+ and Over Event, No Exceptions Enjoy Chocolate in a multitude of decadent presentations – from sweet hand-rolled truffles to oooey goooey melted chocolate fondue and an amazing selection of bean-to-bar artisan chocolates – Quench your thirst with Champagne, Prosecco and premium wines and a sip of fine whiskies! Cupcakes, cookies, cakes, candies, Macarons, cake pops, bean-to-bar chocolates, popcorn, donuts and More…Plus other savory items like pretzels, artisan cheeses, charcuterie – delight your taste buds! More than just a Chocolate Festival, included in your ticket price is a tasting glass to enjoy unlimited wine and whiskey – we’ll have a nice selection of craft beers, ciders and non-alcoholic beverages as well. Hey, and buy some to take home – why not, you deserve it! Included in Your Ticket Price: -Chocolate Samples – Indulge! -Wine glass and unlimited pours of premium wines, select craft beers and ciders -Unlimited samples of Whiskies and other spirits -DC’s 1st Chocolate Fondue Bar – pick your fixings, dip ‘em in unctuous Chocolate Fondue! -Other sweet and savory items – cookies, cakes, cheeses and More! -Savory foods (for additional price) get your Gourmet On! Sweet, Savory, Wine, Whiskey & More! Chocolate, Wine & Whiskey Website Date And Time Sat, February 8, 2020 12:00 PM – 8:30 PM EST Location Dock 5 Union Market 1309 5th St NE #ste 101L Washington, DC 20002 United States

Trippie Redd - Love Me More Tour
Event Start Date : Feb 16, 2020
Event End Date : Feb 16, 2020
Live Nation presents Trippie Redd - Love Me More Tour at Echostage About this Event LIVE NATION PRESENTS Trippie Redd Love Me More Tour All Ages Doors: 6:30PM Event: 8PM Every pair of (2) tickets purchased includes one (1) CD of Trippie Redd’s forthcoming album, “A Love Letter To You 4”. After your ticket purchase, you'll receive an additional email with instructions on how to redeem your album. US/Canadian residents only. Not valid for Fan to Fan Resale. Maximum of 4 albums redeemed per household. Date And Time Sun, February 16, 2020, 8:00 PM EST Doors at 6:30 PM Location Echostage 2135 Queens Chapel Rd NE Washington, DC 20018 United States

Raphael Saadiq
Event Start Date : Feb 08, 2020
Event End Date : Mar 08, 2020
Raphael Saadiq, Jamila Woods, DJ Duggz at 9:30 Club in Washington, DC About this Event Raphael Saadiq Raphael Saadiq is a Grammy Award winning musician, songwriter and go- to collaborator/producer for some of the biggest names in R&B. Solange Knowles, John Legend, Mary J. Blige, D’Angelo, Ne-Yo and Miguel are among the many artists who turn to Saadiq for his deep musicality, contemporary creative vision and encyclopedic knowledge of timeless pop music. Born in Oakland CA, Raphael grew up singing gospel music in the church and started playing bass guitar at the age of six. On the strength of the musical and stage training he received at Castlemont High School, Saadiq auditioned for Sheila E and landed a spot in her band which supported Prince on his 1986 Parade world tour. After honing his chops on the road, Saadiq returned to Oakland and formed the group Tony! Toni! Toné! with his brother D’Wayne Wiggins and cousin Timothy Riley. The trio went on to enjoy considerable success on radio and MTV in the late ‘80s and early ‘90s, racking up several hits including “If I Had No Loot,” “Feels Good,” “Anniversary” and the iconic “It Never Rains (In Southern California).” Following four albums with Tony! Toni! Toné!, Saadiq formed the urban supergroup Lucy Pearl in 1999 along with Ali Shaheed Muhammad from A Tribe Called Quest and Dawn Robinson from En Vogue, yielding Dance Tonight. His solo career kicked off with 2002’sInstant Vintageand 2004’s Ray Ray. Critics began taking special notice with the release of his 2008 homage to Motown and Philly soul,The Way I See It,and it’s follow-up, Stone Rollin’(2011), which landed on many year-end Top Ten best albums lists. Consequence of Soundspoke for many critics in their review, writing, “Saadiq [is] a true soul master” who “revitalizesthe...genre by taking nearly every step he can to create an almost flawless record.” Saadiq’s on-stage performances garner equal praise. NPR called his SXSW appearance in support of Stone Rollin’ “a full-blown soul revue....When a guy this cool exerts this much effort, it’s a joy to behold.” While his solo career thrived, Saadiq honed his craft as a producer, working with a wide range of artists, including Snoop Dogg, Little Dragon, Erykah Badu and Stevie Wonder. He remains a true musician’s musician, with Justin Timberlake, Elton John, Mick Jagger and Lady Gaga among the many superstars who tapped him to play bass or guitar on high-profile projects, including Gaga’s memorable David Bowie tribute at the 2016 Grammy Awards. He co-wrote career-defining hits for D’Angelo (“Untitled (How Does It Feel)”) and Solange (“Cranes in the Sky”), and his compositions have been covered, sampled or referenced by everyone from Ed Sheeran to Drake. In 2012, Saadiq was named toTime magazine’s 100 Most Influential People list and in 2017, he received an Academy Award nomination in the category of Best Original Song for “Mighty River” from the filmMudbound, which he co-wrote with Mary J. Blige. On television, Saadiq is the composer in residence for Isa Rae’s hit HBO showInsecure. His highly anticipated next solo album, Jimmy Lee, is scheduled for release in August 2019. Jamila Woods Jamila Woods’ cultural lineage–from her love of Lucille Clifton’s poetry to cherished letters from her grandmother to the infectious late 80s post-punk of The Cure–structure the progressive, delicate and minimalist soul of HEAVN, her debut solo album. “It’s like a collage process,” she says. “It’s very enjoyable to me to take something I love and mold it into something new.” A frequent guest vocalist in the hip-hop, jazz and soul world, Jamila has emerged as a once-in-a- generation voice on her soul-stirring debut. Born and raised on the Southside of Chicago, Woods grew up in a family of music lovers. It took a surprise poetry class with a high school arts program for Jamila to finally find her metaphorical and literal voice. “Through poetry, I realized you are the expert of your own experience,” she says. Her poetry studies continued in college and in her professional career with Young Chicago Authors. Music–like poetry– is personal. “It became a way to stop hiding, to actually be the most honest with myself through writing,” she says. “It helps me check in with myself.” And that honesty translated to HEAVN, an album she describes as a collection of, “nontraditional love songs pushing the idea of what makes a love song.” You’ll find the bits and pieces of her past and present that make Jamila: family, the city of Chicago, self-care, and the black women she calls friends. Jamila is an artist of substance creating music crafted with a sturdy foundation of her passions and influences. True and pure in its construction and execution, her music is the best representation of Jamila herself: strong in her roots, confident in her ideas, and attuned to the people, places and things shaping her world. Date And Time Sat, February 8, 2020, 8:00 PM EST Doors at 8:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States

And That's Why We Drink: Here for The Boos Tour!
Event Start Date : Mar 25, 2020
Event End Date : Mar 25, 2020
And That’s Why We Drink - Here for The Boos Tour! About this Event In the Webby award-winning comedic true crime and paranormal podcast, hosts Em Schulz and Christine Schiefer dive into chilling ghost stories and the most provocative true crime cases. The world is a pretty scary place, and that’s why they drink (wine and milkshakes preferred). with Live Nation Sixth & I Event Policies Seating is general admission, first come, first served. Please note there are some obstructed view seats in the balcony of our sanctuary. All ticket sales are final and non-refundable. There are no refunds unless an event is canceled. If you are unable to use your tickets, you may transfer them to another person. For accessible entry and accessible seating requests, call 202.408.3100. For more on ticketing, venue policies, and security procedures, Date And Time Wed, March 25, 2020, 8:00 PM EDT Doors at 7:00 PM Location Sixth & I 600 I St NW Washington, DC 20001 United States Refund Policy No Refunds

Event Start Date : Mar 20, 2020
Event End Date : Mar 20, 2020
LETTERKENNY LIVE at The Lincoln Theatre in Washington, DC About this Event Show starts at 6:30 PM Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Lincoln Theatre/Eventbrite. Opening acts and set times are always subject to change. Date And Time Fri, March 20, 2020, 6:30 PM EDT Doors at 5:00 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

Simon Sinek
Event Start Date : Mar 06, 2020
Event End Date : Mar 06, 2020
Simon Sinek live at Lincoln Theatre About this Event Show starts at 8:00 PM Raw, spontaneous and unfiltered. Simon Sinek’s Mindset Tour is designed to give audiences a chance to engage with him in a more personal and meaningful way; to ask questions and hear his unique thoughts and ideas on life, love, leadership and more. The goal is that everyone walks away from the evening feeling more optimistic about the future with new perspective on living with a more infinite mindset. __________ Simon Sinek is an unshakable optimist. He believes in a bright future and our ability to build it together. Described as “a visionary thinker with a rare intellect,” Simon teaches leaders and organizations how to inspire people. With a bold goal to help build a world in which the vast majority of people wake up every single day feeling inspired, feel safe at work, and feel fulfilled at the end of the day, he is leading a movement to inspire people to do the things that inspire them. Simon is the author of multiple best-selling books: • The global bestseller (with over a 1 million books sold in the U.S. alone) Start With Why: How Great Leaders Inspire Everyone to Take Action • The New York Times and Wall Street Journal bestseller Leaders Eat Last: Why Some Teams Pull Together and Others Don’t • The New York Times and Wall Street Journal bestseller Together is Better: A Little Book of Inspiration • Find Your Why: A Practical Guide for Discovering Purpose for You and Your Team • And his latest book, The Infinite Game, released October 2019 A trained ethnographer, Simon is fascinated by the people and organizations that make the greatest, lasting impact in their organizations and in the world. Over the years, he has discovered some remarkable patterns about how they think, act and communicate and the environments in which people operate at their natural best. He has devoted his life to sharing his thinking in order to help other leaders and organizations inspire action. Simon may be best known for popularizing the concept of WHY in his first TED Talk in 2009. It rose to become the third most watched talk of all time on, with over 46 million views and subtitled in 48 languages. His interview on millennials in the workplace broke the internet in 2016 and garnered over 200 million views in the first month. This led to Simon being YouTube’s fifth most searched term in 2017. His unconventional and innovative views on business and leadership have attracted international attention. From American Airlines to Disney and MARS, from big business to entrepreneurs to police forces, Simon has been invited to meet with an array of leaders and organizations in nearly every industry. He has also had the honor of sharing his ideas at the United Nations, the United States Congress and with the senior-most leaders of the United States Air Force, Marine Corps, Navy, Army and Coast Guard. Simon is an adjunct staff member of the RAND Corporation, one of the most highly regarded think tanks in the world. He is also active in the arts and in the non-for-profit world (Simon prefers to call it the for-impact world). Website | Facebook | Instagram | Twitter Date And Time Fri, March 6, 2020, 8:00 PM EST Doors at 6:30 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

G. Love & Special Sauce
Event Start Date : Jan 30, 2020
Event End Date : Jan 30, 2020
G. LOVE & SPECIAL SAUCE TICKETS Pre-sale begins 8:00pm October 9 Tickets on sale 12:00 October 11 Sign up for our newsletter to receive pre-sale promo codes Seated GA Tickets - $40 Standing GA Tickets - $35 For any wheelchair or ADA needs, please contact the Box Office in advance of the performance at (202)-769-0122. Please note that the front row of tables and chairs will be cleared for this show to create a general admission Pit. Be advised that there may be some seated areas where vision of the stage is obstructed. G. LOVE & SPECIAL SAUCE “I’ve been in the game a long time, but I’ve always considered myself a student,” says G. Love. “Finishing this album with Keb Mo’ felt like graduation.” Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus King, and Roosevelt Collier, ‘The Juice’ is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Mo’, it’s an electrifying collection, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre, mixing programmed beats and hip-hop grooves with blistering guitar and sacred steel. G. Love’s lyrics are both personal and political here, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality, and his performances are suitably riotous and rousing to match, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on ‘The Juice’ refuse, insisting instead on hope and determination in the face of doubt and despair. “I’ve always tried to make music that’s a force for positivity,” G. Love explains. “It was important to me that this album be something that could empower the folks who are out there fighting the good fight every day. I wanted to make a rallying cry for empathy and unity.” Born Garrett Dutton in Philadelphia, PA, G. Love grew up equally enthralled with folk, blues, and rap, devouring everything from Lead Belly and Run D.M.C. to John Hammond and the Beastie Boys. After migrating to Boston, he and his band, Special Sauce, broke out in 1994 with their Gold-selling self-titled debut, which earned widespread critical acclaim for its bold vision and adventurous production. Over the next twenty-five years, G. Love would go on to release seven more similarly lauded studio studios albums with Special Sauce (plus four solo albums on his own), solidifying his place in music history as a genre-bending pioneer with a sound The New York Times described as “a new and urgent hybrid” and NPR called a “musical melting pot.” G. Love’s magnetic stage presence, meanwhile, made him a fixture on festival lineups from Bonnaroo to Lollapalooza, and his relentless appetite for tour and collaboration landed him on the road and in the studio with artists as diverse as Lucinda Williams, Dave Matthews, The Avett Brothers, Jack Johnson, and DJ Logic. While G. Love has covered considerable sonic ground during his prolific career, he’s always found himself drawn back to the blues, and to one bluesman in particular. “Keb Mo’ and I got signed to the same label at the same time back when I first started out, and we toured together early on in my career,” G. Love remembers. “He used to introduce me onstage as ‘a true American original,’ and I could tell that he got a kick out of what I did. We didn’t see each other for a while after that, but a few years ago we reconnected and did a co-headline tour, which was really special for me.” Two decades after they’d first hit the road together, the unlikely duo picked up right where they left off, and after a couple late-night jam sessions, G. Love pitched Keb Mo’ on producing his next album. The pair decided to test the waters with a writing session first, teaming up with GRAMMY-winner Gary Nicholson (famed for his work with B.B. King, Buddy Guy, Willie Nelson, and Ringo Starr among others) for a week in Nashville, where they penned a handful of tunes based on phrases G. Love had saved in his phone or rough demos he’d recorded at home on Cape Cod. Those tracks quickly became fan favorites on the road, and G. Love knew he was on to something special. “I got wrapped up in touring and in my Jamtown project with Donovan Frankenreiter and Cicso Adler after that first session, and even though I really enjoyed working with Keb Mo’ and Gary, it was a year-and-a-half before I was able to get back down to Nashville to finish writing the album with them.” When it came time to record, Keb Mo’ was meticulous, working closely with G. Love in the studio on nearly every aspect of his performances. While G. Love was used to creating raw, loose albums by the seat of his pants, Keb Mo’ worked in a much more deliberate, methodical fashion, building songs up like a hip-hop producer. He’d create a beat on his keyboard, lay down a bass line, and then coach G. Love through the tracks sometimes line-by-line. “He was always impressing on me where to place the emphasis and how to phrase my lyrics and guitar playing in relation to the beat,” G. Love explains. “He’d tell me to sing like I had a shovel in my hands and I was digging on the one.” The resulting mix of G. Love’s idiosyncratic style and Keb Mo’s old-school influence proves intoxicating on ‘The Juice,’ which opens with the shuffling, anthemic title track. “We got the juice / We got the love / We got the dreams / We had enough,” G. Love sings, setting the stage for an album all about recognizing your power to impact the world around you in ways both big and small. The infectious “Birmingham,” for instance, is an ode to perseverance when , while the funky “Go Crazy” cuts loose in the face of our maddening 24-hour news cycle, and the relentless “Shake Your Hair” rattles off a head-spinning list of modern ills before declaring “donate, don’t wait, spread love don’t hate.” “I’ve never been the kind of guy who thinks he’s going to change the world with his guitar,” reflects G. Love. “But maybe I can write the kind of songs that give strength and encouragement to the people who are out there doing the work to make this planet a better place. Those are the people I want to lift up with my music.” When G. Love sings about making the world a better place, he’s not just singing about politics, though, and ‘The Juice’ serves as a beautiful exploration of the ways we can brighten our own little worlds and the worlds of those we care about on a daily basis. The gritty “SoulBQue” is a celebration of community and friendship, while the rootsy “She’s The Rock” pays tribute to all the little ways lovers can lift each other up, and the breezy “Diggin’ Roots” spins cultivating a garden into a metaphor for the importance of tending to your home and family and neighbors. “I was going through a tough time in my life when I met my fiancé, but my whole world seemed to turn around after that,” says G. Love. “I started meditating, we had a son, and we moved out to the Cape. That’s when I stopped writing breakup songs and started writing love songs and family songs and friendship songs.” Life is good for G. Love these days, and he’s not taking a moment of it for granted. In fact, in just the past few years alone he’s launched his own beer collaboration with Oregon’s Good Life Brewery (The Juice IPA), started his own festival in Massachusetts (The Cape Cod Roots & Blues Festival), and founded his own record label, Philadelphonic, which he aims to use as an outlet for curating both music and visual art (the cover of ‘The Juice’ features a brand new work G. Love commissioned from renowned painter Greg Haberny). “I’m more inspired right now than I’ve ever been before,” G. Love reflects. “I feel more thoughtful, seasoned, marinated, confident. I’m making the records I’ve always wanted to make.” Cue “Pomp and Circumstance.” Hailing from Greenville, Georgia, Willis grew up singing Gospel music at the Mount Pilgrim Baptist Church with his grandfather. Since an early age, he had the talent and passion for the music and the ability to sharpen his skills fast. At the age of 14, he came across a YouTube video of Muddy Waters playing “Hoochie Coochie Man” and was instantly hooked on the blues He got his much-needed break from the living legend Taj Mahal, who described him as the “Wonderboy” and “the Wunderkind.” In 2015, Mahal asked Willis to play on stage with him. That appearance resulted in a roaring response from the audience and led Willis to bigger stages and broader opportunities, including an opening slot at select shows along the TajMo tour, featuring his musical mentors Taj Mahal and Keb’ Mo’ Many fans of Willis regard him as an old soul. His style of playing the instruments and his voice touches the very roots of country blues. He brings back the true soul of the music. A newspaper headline once called him a “70-year-old bluesman in a 20-year-old body.” Spectacular Class is the follow-up release to his debut album, Blue Metamorphosis, which was released in 2016 and garnered him rave reviews from such notable magazines as Living Blues and Blues & Rhythm. In 2018, the album earned recognition by the Blues Foundation through their International Blues Challenge, where he was honored with the Best Self-Produced CD Award. Date And Time Thu, January 30, 2020, 7:30 PM EST Doors at 6:30 PM Location The Hamilton Live 600 14th St NW Washington, DC 20005 United States

Soccer Mommy
Event Start Date : Mar 28, 2020
Event End Date : Mar 28, 2020
Early Show* About this Event I don’t want to be your fucking dog,” sings Soccer Mommy’s Sophie Allison on “Your Dog,” a highlight from her critically acclaimed 2018 debut album ‘Clean' that got year-end nods from 100+ publications, including The New York Times’ #1 Album of 2018. Over knotty, distorted guitars and churning bass, Allison is equal turns confrontational and vulnerable. “I want a love that lets me breathe/I’ve been choking on your leash.” It’s a mission statement, a reclamation of power, a rewriting of all indie rock’s rules. Soccer Mommy is the project of 22-year-old Sophie Allison, a Nashville native. She has been touring non-stop for the past few years, opening for the likes of Kacey Musgraves, Vampire Weekend, and Wilco, selling out countless headline shows, and making her festival debuts at Coachella, Governor’s Ball, Primavera Sound, and more. In September, Soccer Mommy shared her first new song since 2018, “lucy.” She followed up with the release of a second track, “yellow is the color of her eyes,” in November along with an accompanying music video. Date And Time Sat, March 28, 2020, 6:00 PM EDT Doors at 6:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

Ekali - A World Away Tour
Event Start Date : Mar 14, 2020
Event End Date : Mar 14, 2020
Club GLOW & Steez Promo present Ekali - A World Away Tour at Echostage About this Event Ekali A World Away Tour Doors: 9 PM | No Dress Code | Ages 18+ VIP/Bottle Service: | 202-503-2331 Date And Time Sat, Mar 14, 2020, 9:00 PM EDT Location Echostage 2135 Queens Chapel Road Northeast Washington, DC 20018 United States Refund Policy No Refunds

Last Podcast on the Left
Event Start Date : Apr 10, 2020
Event End Date : Apr 10, 2020
Last Podcast on the Left About this Event THE LAST BOOK TOUR ON THE LEFT Join us as we crisscross the US “edutaining” the masses with a delightful live show in support of our new book “The Last Book On The Left,” which will be available in April, directly to your fingertips. Come to our live show and see how our bodies jiggle in the stage light, and this is where it gets different: we are giving you the chance to buy the book when you purchase your ticket, this will be a signed book waiting for you to pick up on the night of the show. It will have our kisses on them which means actual viable DNA. Don’t you want to smell our beard oil? Don’t want to have our autographs ruining a page of your book? Well, the book is also available now for pre-order and this is a perfect chance to help support your local book store. You will not be disappointed with the deep dive we’ve taken into nine of the most dangerous serial killers that our planet has ever known. The boys will be hitting twenty cities in thirty days. Are you ready for the day of reckoning? Performers LAST PODCAST ON THE LEFT Date And Time Fri, April 10, 2020, 8:00 PM EDT Doors at 6:30 PM Location Lincoln Theatre 1215 U St NW Washington, DC 20009 United States Refund Policy No Refunds

The Lone Bellow
Event Start Date : Apr 11, 2020
Event End Date : Apr 11, 2020
The Lone Bellow About this Event Every ticket for this show includes a digital download of The Lone Bellow’s new album, Half Moon Light, (available February 7, 2020). Approximately 7 days after purchase, you will receive an additional email with instructions on how to redeem your album. US/Canadian residents only. Not valid for Fan to Fan Resale. Performers THE LONE BELLOW Early James Date And Time Sat, April 11, 2020, 8:00 PM EDT Doors at 8:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds

Lukas Nelson & Promise of the Real
Event Start Date : Apr 19, 2020
Event End Date : Apr 19, 2020
Lukas Nelson & Promise of the Real About this Event Lukas Nelson & Promise of the Real: For ten years running, Lukas Nelson & Promise of the Real—bassist Corey McCormick, drummer Anthony LoGerfo, percussionist Tato Melgar, and multi-instrumentalist Logan Metz—have been crossing the globe, playing thousands of shows as one of the most talented, in-demand rock and roll ensembles working today. In song after song, on stage after stage, Lukas Nelson & Promise of the Real have sharpened the edges of their singular sound, straddling rock and roll, country, soul, folk and R&B. An emergent and vital force in American music, their latest album, the critically-acclaimed Turn Off The News (Build A Garden), was released in June 2019, and planted itself at #1 on the Americana album chart for 10 consecutive weeks. In the past year alone, the quickly rising quintet have been wowing audiences and gaining fans with their headlining tour and blistering television performances, and have turned in star-making sets at major festivals including Stagecoach, Newport Folk Festival, New Orleans Jazz Fest and dozens of shows as part of Willie’s traveling Outlaw Music Festival. Performers LUKAS NELSON & PROMISE OF THE REAL Date And Time Sun, April 19, 2020, 7:00 PM EDT Doors at 7:00 PM Location 9:30 Club 815 V St. NW Washington, DC 20001 United States Refund Policy No Refunds